When I first came across this exhibition of Paul Catherall’s linocut prints, I was drawn to it by its theme. Brutalism is a staple for architects along with the colour grey, black clothes and weird glass frames. Following my regular style of not researching what I was going to see, I entered Eames Fine Art Gallery. The first impression was good and weirdly familiar. It was only when I went back home and looked into the artist’s work that I realised I had seen posters of his prints in the tube.
Catherall’s work is focused on London and it is beautiful but also legible. His choice of colour is often unpredictable and surreal but the landmarks are recognisable. Therefore it was not a surprise that TFL commissioned him for a series of posters that highlight these landmarks and their accessibility by London Transport.
Some of the prints in the Brutalism exhibition are more abstract than others and even though I like his work in general, these abstract ones were more interesting to me. Shapes and surfaces of the Hayward Gallery, Southbank Centre and the Lloyd’s building have been de-constructed and recomposed with the use of vibrant colours in a very inspiring way.
After reading a couple of interviews of the artist, I understood better his ethos and how it is related to architecture. Architecture is a practical, literally down to earth, art. Architects create buildings that need to be inhabited and used by people. This is, or rather should be, their first priority. Sometimes when the architecture is really really good, it suggests new ways of moving through space or even living. It can be inspiring and uplifting, but it always has to follow some rules. It needs to provide a safe environment that accommodates people’s needs and quite often, this very restriction is the source of its beauty.
Architects who have aspired to create high art by disregarding people’s needs enter a territory of thin ice. Their appropriation of the building as their own artistic creation is merely a proof of their conceitedness and self absorption. Architecture’s success should be measured by the user’s happiness not the architect’s need for self expression.
When Paul Catherall speaks about enjoying his commissions regardless of the restrictions that they pose, like their need to be legible and relatable, I see his fascination with architecture and also why architects enjoy his prints.
Naturally not all art has to be like that. In fact we need controversial art that defies all rules and tests the boundaries, especially in a world that becomes increasingly conservative and close-minded. However the world needs less self-absorbed artists who care only about themselves and more like Paul Catherall who is devoted to his craft and enjoys communicating that with others.
Maybe I enjoyed this work a lot because it was a exhibition full of buildings in strange colours and I am after all an architect, I cannot help myself. Anyway, if you are south of the river during this weekend, go have a look. You only have a couple of days left.
Eames Fine Art Gallery’s is on
58 Bermondsey Street